People who receive hand stitched greetings cards are usually amazed and delighted that someone has made it especially for them. Many have been so pleased that they frame the picture. As well as giving pleasure, embroidery on paper is also an enjoyable way of passing the time. Since only a small amount of equipment needed, it is very portable and can be done almost anywhere. Here are five easy steps to get you started.
One of my blog readers, Jackie Welch, has sent me a picture of a card she has made with a reduced size pattern. Jackie says “I am quite pleased at how delicate the design looks”. If you fancy having a go at this it is easy to reduce the size by changing the print settings in Adobe Reader.
Beading needles tend to be much thinner than embroidery needles. The main requirement is that they go through the beads that you are using with room for the thread as well…
When it comes to choosing a needle for paper embroidery it is really a matter of what works best for you. If you have a range of needles in your sewing box then the best thing is to try them to find which one you like best.
Stitched leaves often employ a fan style stitch where most of the thread goes from points on the rim of the leaf into a single hole where it joins the stem. This can easily be converted to a loop stitch using the same holes but having much less thread on the back of the card.
As you know 50% of the work is stitched from the back of your card and 50% is stitched from the front. The stitching diagram shows you the view of the front of the card. When you turn the card over to work from the back you get a reverse image of the pattern. If you are working on a circle or line it is easy to see which hole to use next. However, if you are working on an area with random dots it becomes more of a challenge…
People sometimes ask if I do my own stitching when I design a card. The answer is that I do stitch them myself. I see it as part of the design process. It enables me to refine the design by having first hand knowledge of how it is working. This brings me to the subject of what else do you do whilst stitching a card.
When a pattern includes an S shaped curve that is worked with evenly spaced stitches along its length it is hard to visualise. The section where the curve changes from an inside curve to an outside curve is the tricky part.
Once you realise how it works it is just a matter of continuing the stitching and the shape will form itself. However, if you try to analyse it in advance you may find it confusing.
Some prick and stitch patterns are easy to follow whilst others are very complex. The easy ones tend to have shapes based on circles and curves. When the design involves realistic shapes such as human figures, the shapes become more random. The result is that the dots are harder to follow.